A Dual Looper which allows alternating between two different effects loops. It provides two switchable loops (send/return) with a single footswitch.
A smooth overdrive with four knobs to control the gain, volume, tone and voicing. A clone of the Zendrive by Love.
A high gain distortion pedal based on the heaviest member of the ZVEX Effects stable. A simplification of the original design with the noise gate removed. Gain adjusts from hard to harder.
One version of this high gain distortion pedal from the 80s, with adjustable volume, gain and tone.
Fuzz - extra dirty.
Coming soon: A clone of the Ghost Echo Vintage Voiced Reverb by Earthquaker Devices. An accutronics “Belton Brick” powered reverb unit capable of light springy sounds to haunted castles full of cavernous screams.
Improves the high frequency degraded by long cables or pedal chains.
The 3rd (1976) version of this Electro-Harmonix fuzz distortion pedal, similar to the more common Version 2. Knobs control the sustain, volume and tone.
Zvex Effects Booster, a negative-feedback control styled after classic 60's recording console inputs. One knob controls the gain.
The legendary fuzz distotion pedal made with PNP silicon transistors. A positive ground pedal with battery power rather than DC input. Knobs for volume and gain.
Coming soon: This iconic overdrive from Way Huge (1992) is based on a circuit similar to the the Tube Sound Fuzz pedal found in Electronic Projects for Musicians by Craig Anderton.
Coming soon: A heavy distortion pedal with unique tone control from God City Instruments, based loosely on the Providence Stampede — one of Kurt Ballou’s favorite distortions — and designed by Nick Williams of Dunwich Amps.
Five knob fuzz with a huge range of sound possibilities, made with swappable silicon transistors. Knobs clockwise from top left: Gate, Compressor, Stability, Drive, Volume.